One of the many aspirations on my bucket list is to sit in and observe a screenplay discussion for a mass Telugu movie. Think Balayya movies.
Another dream? To write a raunchy, raucous song like Ringa Ringa (yes, the Telugu one again).
Well, one of my another bigger aspirations is to create a TV series—or at the very least, work on one.
You get the drift.
The most recent addition to this ever-growing wishlist is to observe how Adhik Ravichandran works on his screenplays.
Yes, this came after watching The Good, The Bad, The Ugly.
For the longest time, I believed no one—absolutely no one—could beat the Telugu filmmakers when it came to creativity and ingenious absurdity. (And let me be clear: I say this with the utmost respect. It’s not easy to be that imaginative. If you don’t believe me or think I’m exaggerating, I challenge you—try coming up with just one scene that’s as absurd and brilliant as theirs!)
And yet… our man Adhik outdoes them by a mile.
No surprise then that the movie was produced by a Telugu producer.
Sure, people might laugh at it or make fun of it, but honestly, it takes a special kind of genius to come up with this:
A don who has been part of Dong Lee, John Wick, and The Professor.
Marvel throws entire teams of writers at building the MCU.
But here comes Adhik, who casually jumps across two massive cinematic and TV universes and blends them into a narrative that lasts just a few minutes.
And the way he uses name changes to dodge legal issues—while still getting the message across? Standing ovation-worthy.
For that alone, I want to be his apprentice.
The movie is a total riot. My only regret? Not watching it in the theatre.
I know, I know—you’re not supposed to worry about logic in movies. Especially in movies like this.
But still, I couldn’t help but wonder:
- Why would someone like Trisha, who apparently grows up to be a high-ranking embassy official, marry someone like Ajith? What about background checks?
- How is Ajith’s lawyer also his goon sidekick?
- If the entire don world knows Ajith, how come Jackie Shroff has never heard of him—and vice versa?
Honestly, if Adhik had just patched a few of these bad and ugly logic holes, the film could’ve been even more GOOD!
But still, what a ride.